This is the most reserved shade of the collection, described by Adina as a "holographic antique gold like precious brocade." The color is a complex, semi-metallic variation of ecru-leaning greige with aspects of Vegas gold and straw, kind of like if you took sand, made it semi-metallic and gave it a transparent grey veil. In addition to holographic pigment, it's loaded with tiny, highly-reflective metallic microflake shimmers in bright yellow-gold that gleam as light travels over them, giving the dimensional, finely-grained visual texture of the polish a subtle sparkling aspect. In the sun there's a beautiful, smoothly-gradated prismatic flush of yellow, pink and pale slate blue punctuated with bright yellow-gold sparks from the microflake shimmers.
Application was fabulous. The consistency of Katherine of Aragon is fluid, light and creamy with a medium viscosity and a fluent, even, self-leveling slip over the nail. Pigmentation is very good to excellent, delivering completely even, opaque coverage in two coats. Cleanup is straightforward with a bit of dispersal and stickiness on the part of the microflake shimmers. Katherine of Aragon dries naturally in very good time to a smooth, slightly flat finish that wants a glossy topcoat to look its very best.
Photos show two coats of Katherine of Aragon over treatment and basecoat with a topcoat of Seche Vite.
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A-England Katherine of Aragon |
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A-England Katherine of Aragon |
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A-England Katherine of Aragon |
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A-England Katherine of Aragon |
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A-England Katherine of Aragon |
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A-England Katherine of Aragon |
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A-England Katherine of Aragon |
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A-England Katherine of Aragon |
Even though it's perhaps not showcased to its best against my skintone, the velvety holographic effects and essential elegance so characteristic of the brand make this understated but complex sandy-colored neutral with its bright gold microflake shimmers a classically beautiful polish -- I can't help but admire it.
love,
Liz