Friday, November 6, 2015

Smitten Polish The First Lobster

The First Lobster was released by Missouri-based indie polish maker Smitten Polish in December 2013 as part of the Love Actually collection, a series of polishes inspired by the 2003 British Christmas-themed romantic comedy film Love Actually, written and directed by Richard Curtis. It's a fire-bright vermilion linear holographic polish, a brilliant orange-red with aspects of coral and bittersweet, very lush and intense. The holo pigment is abundant and finely-milled, giving the polish a reflective semi-metallic appearance with omnipresent shading and effects. The prismatic flare has a glowing central flame-shaped flare of violet edged by swaths of shimmering orange and red that are dotted with bright sparks of green and blue, the whole floating over a lick of gleaming semi-metallic blood orange. In all circumstances and respects, this is an absolutely brilliant polish!

Application was fabulous. Even though my bottle may be going on two years old, the consistency is just as fluid and smooth as you could want. It's on the thinner side but not at all runny, with a silky flow over the nail and very good self-leveling properties. Pigmentation is excellent. Although I'd advocate two coats for maximum richness of color and holographic effects, wearably opaque coverage can be achieved in just one medium coat. Cleanup is easy and straightforward. The First Lobster dries naturally in very good time to a smooth shiny finish. Topcoat does not in any way diminish the polish's powerful holographic properties. Nice!

Photos show two coats of The First Lobster over treatment and basecoat with a topcoat of Seche Vite. It's once again overcast here today (also unseasonably warm and very humid, ugh!), so no sun shots, unfortunately.


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster


Smitten Polish The First Lobster

Glorious! And it's even brighter in person that my photos show in this overcast light. You can't help but get a little zing of happiness and gratitude looking at this polish. It makes you feel like you've just received a wishlist gift from someone who knows you well. 

Sadly, The First Lobster is long discontinued, although creator Noelie did bring it back for one brief restock in 2014 due to popular demand. I found this bottle on StorEnvy, for not a whole lot less than it cost new. In hindsight I'd have bought it even at full price, which would be around $11.50. It's just that special! Anyway, if you come across this in your visits to various blog and destash sales, grab it. It won't disappoint you.

love,
Liz

Thursday, November 5, 2015

A-England Heathcliff

Heathcliff was released in late September this year by UK boutique polish maker A-England as part of the To Emily Bronte collection for winter 2015. This five-polish collection is an homage to Bronte's only novel, Wuthering Heights, published in 1847 under the pseudonym Ellis Bell. Bronte died of tuberculosis the following year at age 30. 

Heathcliff was inspired by and named for the main character in Wuthering Heights, and if you've read the book or are otherwise familiar with the story, it will come as no surprise that this is a black-based polish. It has a black-tinted jelly base bearing abundant silver microglitters as well as tiny metallic hex glitters in blue and red, and is suited to wearing either as a topper over a black creme or alone as a full-coverage glitter. I chose to wear it alone layered over itself to opacity. As such, the base, being translucent, is not pure black as it appears in the bottle but rather a deep graphite or charcoal color. The translucence gives it an illusory sheen, which I quite like, and permits plenty of light to reach and reflect off of the glitters, giving the polish a dynamic scintillating sparkle.

I'm sure I would have found application difficult had I not added several substantial squirts of polish thinner. The consistency of Heathcliff was on the viscous side, dense with components and a bit sticky. Once thinned, it became nicely fluid and easy to work with and I would recommend thinning if you're at all put off by thicker formulas. Pigmentation is quite sheer with the first coat but builds easily to wearably opaque coverage after the second. For full bottle color, you'd need a third coat but I left it at two to avoid the extra bulk. I did my cleanup as I went along while the polish was still wet and had no problems ostensibly, although you will see some rogue glitters roaming free over my nail environs. Heathcliff dries naturally in good time to a textured finish. I used a layer of Pretty Serious Plump Up the Volume Gel Effect topcoat to smooth out the surface and once that had set up and partially dried I added a topcoat of Seche Vite for a glassy finish. 

Photos show two coats of Heathcliff over treatment and basecoat with a layer of Plump Up the Volume followed by a topcoat of Seche Vite. 

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

A-England Heathcliff
 
A-England Heathcliff


A-England Heathcliff

A-England Heathcliff

A-England Heathcliff

No other A-England polish that I know of has glitters in it, which makes Heathcliff something of a departure for creator Adina and speaks to the singular sort of inspiration the Wuthering Heights character must have been for her. I'm torn about this polish. There's a dichotomy to its nature that is difficult to reconcile, that being its representation of the character of Heathcliff versus its native qualities as a nail lacquer. 

As a nail lacquer, it brings to mind a kind of retro dressiness. The sparkle reminds me very specifically of the glamour of old Hollywood and black pumps covered in glittery fabric. In this sense it has a refined quality that just doesn't mesh with what I know of the character in the novel. Hmm.

The jury's still out on this one, folks.

love,
Liz

Wednesday, November 4, 2015

Girly Bits Is That a Shillelagh in Your Pocket?

Is That a Shillelagh in Your Pocket was released by Canadian indie polish maker Girly Bits as one-half of creator Pam's St. Patrick's Day duo in February this year. I had this polish on my Girly Bits wishlist ever since it launched and finally managed to squeak in a purchase just before it was discontinued not too long ago. So glad I did, it's everything I love about a creme holo in an uncommon but eminently wearable color.

Pam described Is That a Shillelagh in Your Pocket as a "medium brown linear holo, with green to gold shifting shimmer." To me, it's a light- to medium-toned beaver brown, a milky coffee sort of shade heavily silvered by ultrafine holo pigment to create a rich but surprisingly neutral sandy taupe-like color. It has the lovely dimensional quality of shading to a semi-translucent slate grey around the edges of the nail, with additional dimensionality provided by the fine multitonal Pointillist speckling that is characteristic of many creme holos. The holographic effects generate subtle gradational hues of shimmering gold and pink that wash over the nail with the light and shade to deep taupe at the sidewalls. From what I've seen online there's a gorgeous sparkling scattered prismatic display in direct sun. The color-shifting flake shimmers are of the secret squirrel variety, covert but occasionally visible as tiny glowing sparks of pale green or gold. 

Application was such a pleasure! The consistency of Is That a Shillelagh in Your Pocket is fluid, smooth and somewhat fluffy, with a creamy flow over the nail and very good self-leveling properties. The formula is noticeably user-friendly, amenable to thin or thicker coats without running or pooling and easily manipulated by Girly Bits flattened flexible brush, which always seems relatively large and bushy to me at first but performs beautifully with Pam's polishes. Pigmentation is excellent, with wearable coverage in one coat. With many holographic polishes, at least two coats are recommended for richest effects, and that's what I used. Cleanup is easy and straightforward with no pigment travel and only a tiny bit of recalcitrance on the part of the flake shimmers. Is That a Shillelagh in Your Pocket dries naturally in very good time to a smooth shiny finish. Topcoat accentuates the presence of the golden flake shimmers and does not appear to inhibit the holographic properties of the polish in any way. 

Photos show two coats of Is That a Shillelagh in Your Pocket over treatment and basecoat with a topcoat of Seche Vite. It's overcast and misting rain once again here in central NC so I don't have any sun shots to share with you, but this creme holo doesn't need direct sun to reveal its considerable attractions.

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Girly Bits Is That a Shillelagh in Your Pocket?

Such a cool, unorthodox look for a nail polish! I am enamoured. It's rustic and earthy on the one hand, and edgy and modern on the other. Very much a neutral with a casual sense to it, wearable with anything. I'm wearing blue today and it looks fantastic, displaying aspects of olive and bronze. It reminds me of a garden path.

The holographic effects are like those big sugar crystals they sprinkle on the top crust of the blueberry pies at Whole Foods. Tasty-licious!

Fuzzy loves it too. Do you?

xoxo,
Liz