Application was a pleasure. The consistency of Inglenook is fluid, full-bodied and creamy with a medium viscosity and a plush, velvety, self-leveling glide over the nail that has a little bit of pull to it. Pigmentation is very good, delivering completely opaque coverage in two coats. Cleanup is easy. Inglenook dries naturally in very good time to a smooth, shiny finish. Topcoat does not affect the holographic properties in any way.
Photos show two coats of Inglenook over treatment and basecoat with a topcoat of Seche Vite.
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Chaos & Crocodiles Inglenook |
Quite honestly, my photos don't do justice to this polish. They capture the holographic effects but not the subtler, more interesting dyamics of the color-shifting pigment. Those beautiful shifting colors -- lavenders, violets, purples and blues, with touches of spring green and copper -- have a kind of water color quality and remind me of an Impressionist painting, like the skies in my mother's Florida paintings or something by Claude Monet like Vetheuil in the Fog or parts of some of the Water Lilies paintings. The polish has a burnished, semi-metallic shine along the axis of light that gives it a sleek, flashy vibe on the nail, and I expect the prismatic display in the sun will be brilliant, sparkling and fully linear, but those color-shifting pigments make it special in any light.
love,
Liz
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